I’m an iOS engineer
with a passion for UX implementation and design,
as well as interactive 2D/3D graphics.
I’ve shipped 8 iOS apps in a lead role.
I love being inspired by
talented designers, obsessively polishing UX details,
engaging in iterative product design, and striving
to meet the occasional crazy deadline.
Before transitioning to iOS,
I worked at DreamWorks, developing in-house
3D animation desktop applications.
In 2013,
I received a technical Academy Award for co‑developing the lighting
application used by animators to create Shrek, Madagascar,
and 30+ other films at DreamWorks.
Work
I’ve worked at four startup companies, most recently Trash,
an early stage ML-based video editing iOS app startup.
I inherited the Trash project shortly after the app launched in the App Store.
As the emergency lead engineer replacement,
I implemented new features on an aggressive
schedule to move the
product forward while fixing legacy bugs.
Trash was acquired by VSCO in 2020.
Before Trash,
I worked at Polyvore, which was acquired by Yahoo (now Verizon Media).
At Polyvore, I collaborated with a small, labs-style team to develop
experimental iPhone apps in the categories of fashion, social
networking, group video chat, and personal finance. Each app went
from design to
shipping product in two to three months, followed by
several rounds of iteration driven by UXR and analytics.
At OnLive,
I was the lead engineer on a team that implemented
a 3D front end for a streaming video game service.
At DreamWorks,
I worked closely with animators
while developing a suite of
in-house 2D and 3D graphics applications
used to create TV commercials, live-action film effects,
and computer animated films.
I created many app components as part of this work,
including custom 2D UI controls,
specialized 3D manipulators for lighting scenes,
a sophisticated spreadsheet-like editor for large databases
of lighting information, and a playback view for
character animation.
Projects
In my spare time, I’ve developed several side projects to explore
ideas that I’ve been interested in, with an emphasis
on 2D and 3D graphics and interaction.
A few notable ones are described here.
The Fourth Dimension
This iOS app
explains the mathematical concept of a tesseract, which is the
four‑dimensional analog of a cube.
The Fourth Dimension
is a 30‑page interactive 3D book written in simple, everyday language
to target a wide audience.
Instead of static illustrations or videos, the user engages with
a four‑dimensional geometric model.
This app has a 4.8 star average from 5,600 ratings
worldwide. Apple has featured it in the App Store several times,
and is especially popular in China.
Despite the fact that The Fourth Dimension is an educational
app about a single mathematical concept, I’ve sold 90,000 copies
at $2.99.
The Fourth Dimension was written in Objective-C,
using OpenGL and GLSL to render the interactive 3D scenes.
For this project, I devised an intuitive 4D direct manipulation
mechanic by constructing
a 4x4 four‑dimensional rotation matrix using the
user's screen space drag vector as the first basis vector
and the 4D W‑axis unit vector as the second basis vector for the matrix.
The resulting user experience is much more intuitive than
the traditional approach of providing a set of rotation sliders
for each of the four axes.
Special Relativity
As a long term project, I’m designing and prototyping an app to explain
Einstein’s theory of special
relativity, which describes the surprising, unintuitive ways in
which time and distance behave for fast‑moving objects.
As a result of this work, I've developed the surprising ability
to draw freehand 3D Minkowski spacetime diagrams.
For this project, I wrote a Swift framework that models
a hierarchy of 3D inertial frames of reference in spacetime.
I used SceneKit
to render a relativistic scene graph from the point of view of an observer
in an arbitrary inertial frame.
The following video shows an early prototype that I created
using SceneKit to get a better firsthand understanding
of the behavior of spacetime.
The design of the actual app that will follow is quite different.
Note that in the second half of the video, the skew transforms,
which are necessary to accurately model relativistic
length contraction in 3D,
are not directly supported by SceneKit.
I was able to
work around this limitation using singular value decomposition.
As with The Fourth Dimension, this app will be built around
interactive 3D models, although this time, I intend to use
ARKit
to make the experience more visceral. The user will
develop an intuitive feel for the way spacetime behaves by
playing with it directly, instead of learning the equations
that describe spacetime’s behavior and struggling to visualize them.
The purpose of this project is not just to explain what the
effects of special relativity are, such as time dilation and
length contraction, but to explain why these effects happen,
in a deep, intuitive way that cannot be provided by
a canned video or a list of equations.
This is something that is
missing from most traditional explanations of special relativity.
The fundamental design goal of this app is that
I want the user to feel
an overwhelming sense of enlightenment when they realize that
they are able to fully grasp a hidden truth about the nature of reality.
Fiasco
Fiasco was a Scrabble/Tetris mashup for iPhone.
I collaborated with a UX designer friend on the game
mechanics. She did the visual design and I did
the coding.
I designed and implemented the animation,
drawing from my experience working with animators at DreamWorks.
I made the flare effects appear whiter than white
by dimming all of the other visual elements, as if the user's eyes
were adapting to the intensity of the glowing elements.
Although Fiasco failed to gain traction in the App Store,
we learned valuable lessons about product development.
For fun, I implemented an approach to global illumination
called discontinuity meshing (PDF, 5 MB), which encodes shadow edges
in a static mesh
of polygons by introducing new vertices.
I implemented photon mapping (PDF, 1 MB) to calculate indirect lighting,
which was encoded in the mesh as vertex colors.
A critical component of this work involved implementing
Delaunay triangulation in terms of Jonathan Shewchuck’s
robust
computational geometry predicates, to avoid incorrect results
due to floating point roundoff errors.
This open
source Swift library
simplifies the creation of a scrolling view controller filled with
arbitrary content.
This library addresses a scenario that I encountered frequently at Polyvore.
UX designers would often design static screens
targeted at large device sizes,
without fully considering how they would appear on smaller devices.
In Interface Builder, ScrollingContentViewController
exposes a view controller outlet
that specifies a content view that should be made scrollable. Everything
else is taken care of automatically.
Although ScrollingContentViewController has a singular
purpose, its creation required
a deep exploration
of the mechanics of keyboard presentation handling on iOS,
which can be surprisingly involved. This library correctly handles
many undocumented special cases, including device orientation
changes, sequences of view controllers with shared keyboards under
a navigation controller, and additional safe area insets.
Plant Legs
To gain more experience with 3D modeling in Modo, I designed
a set of legs for plants.
The legs include a solar panel, rechargable batteries, a laser range finder,
and a soil moisture sensor to allow the host plant to play
a more active role
in acquiring water and sunlight.
